To Fleda, in the face of the event, it appeared that this was exactly what they were not: the last inch of common ground, the ground of their past intercourse, had fallen from under them. Yet what was still there was the grand style of her companion's treatment of her. Mrs. Gereth couldn't stand upon small questions, couldn't, in conduct, make small differences. "You're magnificent!" her young friend exclaimed. "There's a rare greatness in your generosity." "Oh yes, I told her exactly, and that you had been most awfully kind, and that I had placed the whole thing in your hands."!

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" Mrs. Gereth, however, was imperturbable: Fleda had to recognize that her advantage had become too real. "It's too beautiful, the way you care for him; it's music in my ears. Nothing else but such a passion could make you say such things; that's the way I should have been too, my dear. Why didn't you tell me sooner? I'd have gone right in for you; I never would have moved a candlestick. Don't stay with me if it torments you; don't, if you suffer, be where you see the old rubbish. Go up to town—go back for a little to your father's. It need be only for a little; two or three weeks will see us through. Your father will take you and be glad, if you only will make him understand what it's a question of—of your getting yourself off his hands forever. I'll make him understand, you know, if you feel shy. I'd take you up myself, I'd go with you, to spare your being bored; we'd put up at an hotel and we might amuse ourselves a bit. We haven't had much pleasure since we met, have we? But of course that wouldn't suit our book. I should be a bugaboo to Owen—I should be fatally in the way. Your chance is there—your chance is to be alone; for God's sake, use it to the right end. If you're in want of money I've a little I can give you. But I ask no questions—not a question as small as your shoe!"

"Not a word." "Do you really think so?" Fleda presently inquired. "I mean, does he, after the fact, as it were, accept it?" Mrs. Brigstock, at this, looked into her eyes more deeply and yearningly than she had supposed Mrs. Brigstock could look; it was the flicker of a certain willingness to give her a chance. Owen, however, quickly spoiled everything. "Nothing is more probable than that Mrs. Brigstock is doing what you say; but there's no one in the world to whom you owe an explanation. I may owe somebody one—I dare say I do; but not you, no!"